Rocky Mountain College of Art + Design

Denver, Colorado | 800.888.ARTS

Fine Arts BFA in Photography + Video Art

Total credits required: 120

As a fine art major you will take a series of core courses that provide instruction in painting, sculpture, photography, ceramics, form/content, experimental studies and modern and contemporary art.

After completing the initial courses you then select a second group of courses that focus on painting, sculpture or photo/videography.

Beyond this you can select from 12 to 24 elective credits. In addition to the elective courses listed on the fine arts electives page, you can take any studio elective course in any department on campus provided you meet the prerequisite requirements. You can tailor your education in a wide range of disciplines that include jewelry, fibers, printmaking, installation art, digital photography, video art, and more.

Core Courses: 27 credits

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    An introduction to the tools, materials and processes of painting including: building stretcher frames, stretching and preparing the canvas and paint application with various brushes and tools. Topics include: the cultivation of self-expression through exploring basic painting techniques and developing art literacy, including terminology; through critical review and discussion. Upon completion of this course, students will be technically prepared to undertake projects in higher level painting courses. Students will demonstrate in critiques and projects their knowledge of canvas and panel construction, painting techniques, light and color, and an introductory knowledge of contemporary art trends. Prerequisite: none
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    This course is an introduction to a wide variety of the processes, materials and conceptual aspects of 3-D art making. Students learn to engage their art making in a three-fold approach: critical thinking as a process, attention to materials knowledge and exposure to contemporary and historical artists through lectures. Students investigate formal aspects of sculpture as well as the development of ideas. They expand written and oral communication skills regarding aesthetics and art as they develop end employ research methods by which to nourish their art making. As well, they explore a variety of new working methods: individual, small group and class collaboration. At the conclusion of this course, students will have worked with wood, fibers, metals and other alternative forms to create a coherent body of work. Prerequisite: none
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    This course is an introduction to black and white photography; from a working knowledge of the camera through film processing to printing in a darkroom using traditional light sensitive materials. Students will be introduced to the history of photography – its approaches and trends – resulting in a basic knowledge of photography and its relationship to contemporary art. They will begin to explore the relationship between this acquired knowledge in photography and the individual and then begin to apply this knowledge to a realized personal vision through critical thinking and seeing. At the conclusion of this course, students will have a broad understanding of B&W photography and its relationship to contemporary art and will have created a thoughtful portfolio of photographs. Students will need a manual 35mm camera and should expect to spend $100-$150 in materials for this class. Prerequisite: none.
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    This lecture course focuses on issues, art movements, and criticism from 1950 to the present. Students investigate art through the writings of artists and critics that correspond with, but are not limited to, movements that include: Abstract Expressionism, Pop Art, Minimalism, Earth Art, Process Art, Conceptual Art, Feminist and other political art movements, Video and Multimedia work. Students study important issues and philosophies in contemporary art. Discussions are led by visiting lecturers, and field trips are taken to museums, galleries, and artists’ studios. Course work includes a research project covering contemporary artists and issues. Prerequisite: AH 1020 Art History 2: Renaissance to Contemporary.
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    Students thoroughly analyze the total organic structure of a work of art and its meaning. The class also studies light and space in relation to both two and three dimensions. Psychology, theory, history, design, and aesthetics are investigated as tools to develop a visual vocabulary. At the conclusion of this course, students are expected to demonstrate knowledge of visual vocabulary, formally and in relationship to content in class projects. Prerequisite: none.
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    Students explore definitions and applications of contemporary sensibilities. The merging of existing art forms into innovative and experimental approaches, including the utilization of new technologies, also blends into considerations of site and audience in this multi-dimensional course. At the conclusion of this course, student projects will exhibit awareness of current art practices, increased art literacy, and the role of technology and experimentation in contemporary art. Prerequisite: none
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    This course prepares fine art majors with essential knowledge and practical strategies necessary to effectively seek out venues for their own art, which include gallery representation, co-operative and alternate spaces, commissions, government grants, competitions, residencies and graduate schools. The class visits area artists’ studios, galleries, art centers and museums. Students are exposed to working professionals such as critics, art administrators, gallery directors and museum curators. At the conclusion of the course, students will have created a professional-grade portfolio, which includes artist statement, resume and photography of artwork. Students use their portfolios to submit applications to exhibitions, residency programs, grants and graduate schools. Students also learn how to properly display, store and ship art using sound archive methods. Prerequisite: must be a junior or senior. Non-Fine Arts majors accepted upon department Chair’s or department Head’s approval
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    This course allows students to work independently with the instructor assisting as needed. Personal interpretations of the meaning of art are encouraged. Emphasis is placed on incorporating design elements, material handling, technique, concept development and expression, and in the meaning of the work presented. In-depth individual and group critique analysis is expected. Prerequisite: must be a junior or senior.
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    Students explore basic hand-building techniques using ceramic materials to make sculpture and vessels. Emphasis is placed on individual style and how clay can be used as a vehicle for expression. Students make work from low-fire clay using a combination of coil, slab, and texturing techniques, surface slips and glazes. An introduction to ideas about sculpture, the vessel, and the Raku process are presented through slide lectures and research assignments. At the conclusion of this course, students will be well-versed in hand-building techniques, basic glaze formulation, and firing of electric and Raku kilns. Students will learn to develop strategies to translate an idea into sculptural form. Prerequisite: none

Photography + Video Art Major: 12 credits

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    This course is a continuation of the Basic Photography class. Students are expected to have a working knowledge of beginning photographic techniques (camera operation, exposure, developing, printing, finishing and presentation). Photography 2 focuses on controlling all aspects of photographic image making. Designed to put the student firmly in command of the mechanics of photography, this course explores contrast control, the zone system, exhibition size and scale, different papers and film, toning, studio lighting and alternative cameras. At the conclusion of this course, students have focused their personal creative vision and presented this knowledge in a refined and thoughtful portfolio. Prerequisite: FA 1410 Basic Photography
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    This course introduces video as a medium for artistic expression and social inquiry. In this introductory course in digital video production and non-linear editing, students produce short works and are introduced to a range of approaches including experimental, documentary, and installation. Recent and historical trends in the medium are covered through the viewing of work by media artists of the past 40 years. At the conclusion of this course, students have a working knowledge of this medium and its history. Prerequisite: FA 1410 Basic Photography
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    This course is designed for students to learn to make, control and manipulate photographs with the aid of a computer. Students will need a digital camera to produce their own images, and the use of scanned and appropriated imagery is explored. Attention is given to refining technical skills in Adobe Photoshop but the major concern will be the ongoing development of skills in critical thinking and the realization of a personal vision. At the conclusion of this course, students will have a working knowledge of the history of color fine arts photography and its application to their personal vision. Prerequisites: FA 1410 Basic Photography and FD1010 Digital Image Making
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    Students who have completed over 60 credit hours (Junior year) are required to participate in a mid-career portfolio review before reaching 90 credits (Senior year). This review is designed to identify students’ strengths and weaknesses so that they may address both in their upcoming major course work. Prerequisite: FD1990 Freshman Portfolio Review
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    This course continues the practice of video as an artistic medium; expanding the use to include longer format pieces, installation and interdisciplinary strategies. Further refinement of digital editing techniques and studio production are emphasized. At the conclusion of this course, students are expected to have achieved a level of technical competence necessary to undertake a more ambitious work. Prerequisite: FAV 2320 Introduction to Video Art
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    All Seniors who are ready to graduate are required to participate in a departmental Senior portfolio review. This pre-graduation portfolio review is an initial step in preparing students for both their graduation exhibition and their movement from the academic environment into the professional world. Prerequisite: must be a junior or senior. FAV 3100 Photo/Video Sophomore/ Junior Portfolio Review

Foundation Studies: 18 Credits

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    This course introduces students to the use of the computer as an image-making tool used across all art/design disciplines. Students are introduced to Photoshop and Illustrator techniques as well to printing and type management. At the conclusion of this course students will demonstrate their ability to solve visual, compositional, and technical problems on Mac/PC platforms. Prerequisite: none
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    This course investigates the language, theories, and practices of color and two-dimensional design in the visual arts. This course familiarizes students with the basic relationships between color and compositional practices such as space, unity, emphasis, balance, rhythm, and proportion. Prerequisite: none
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    This course investigates the creative possibilities found in the act of drawing and thinking. Students draw from seen and invented subject matter to practice with conceptual ideas, experimental materials, and techniques. Drawing exercises emphasize composition, positive/negative space, figure-ground relationship, and multiple points of view. At the conclusion of this course students demonstrate improved ability to implement creative, expressive, and personal solutions to visual problems. Prerequisite: none
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    This course introduces students to methods of structural based drawing through rigorous observational practices. With an emphasis on composition, ideas such as light, shade, value contrast, tone, proportion, texture, mass, volume, and technique are introduced. Utilizing the study of natural and man-made objects, students become familiar with one, two, and three point perspective. At the conclusion of this course the students demonstrate improved knowledge and skills in translating what is observed from life into 2-D picture plane. Prerequisite: FD 1275 Drawing 2c
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    This course focuses on the basic anatomy of the human figure. Students improve their understanding of figure drawing through the studies of skeletal structures and muscle masses. Issues such as foreshortening, accurate proportion, lighting, and composition are explored. Prerequisite: none
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    This is a non-credit portfolio review taken by all Freshmen at the end of their second semester of study. Attendance at the Freshman portfolio review is mandatory as this is a graduation requirement. Prerequisite: two semesters of Foundation study
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    This course explores theories and practices of three-dimensional design. Students use a variety of materials, processes, and techniques to explore fundamental issues such as volume mass, gravity, tension, compression, light, color, and structure. Prerequisite: FD 1115 Visual Design 1

History of Art + Design: 12 credits

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    In the first of four required courses in the history of art and design, students explore the major artists, movements and artistic themes of the Western tradition, beginning with Prehistoric art and concluding with the Gothic in the late thirteenth century. Lectures and readings examine ways in which artists conceive of religion, society, politics and the role of men and women within their historical and stylistic context. In addition, the course considers various media and materials, such as painting, sculpture, and architecture, and the fundamentals of design and composition. At the conclusion of this course, students will recognize a broad range of artists, works, and styles from ancient to medieval art. Further, students will learn to conduct research within the discipline of art history, and write knowledgeably on topics from ancient to medieval art. Prerequisite: none
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    In the second of four required courses in the history of art and design, students explore the major artists, movements and artistic themes of the Western tradition, beginning with the Renaissance and concluding with contemporary art of the twenty-first century. Lectures and readings examine ways in which artists conceive of religion, society, politics and the role of men and women within their historical and stylistic context. In addition, the course considers various media and materials, such as painting, sculpture, and architecture, and the fundamentals of design and composition. At the conclusion of this course, students will recognize a broad range of artists, works, and styles from Renaissance to contemporary art. Further, students will learn to conduct research within the discipline of art history, and write knowledgeably on topics from Renaissance to contemporary art. Prerequisite: AH 1010 Art + Design History 1: Ancient to Medieval
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    In the third of four courses focusing on the history of art and design, students study the painting, sculpture, craft, architecture and design of Africa, India, Southeast Asia, China, the Pacific, and the Americas. Students encounter appropriate works from the prehistoric period to the present, exploring the cultural, religious, political and historical circumstances of their creation. Nonwestern art and design are studied both in their own national and cultural contexts and from the perspective of the European cultures. Prerequisite: AH 1020 Art + Design 2: Renaissance to Contemporary
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    In the last of four required courses, students concentrate on one topic in the history of modern and contemporary art and design. Advanced studies are designed to allow students to focus intensively on themes, issues, and theoretical frameworks that define twentieth and twenty-first century art and design. Lectures, readings and assignments emphasize research, writing, and oral presentations. Topics vary from one semester to another. Sample topics include: Modern Latin American Art, Abstract Expressionism, The History of Photography, Modern German Art. At the conclusion of this course, students possess a deeper understanding of art historical movements, methods, and theories. Further, students refine and deepen their research and writing skills, researching and writing knowledgeably on topics from the course. Prerequisite: AH 2010 History of Art + Design in the Nonwestern World

Communication and Critical Thought: 6 credits

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    This is the first course in the Liberal Studies sequence and serves as an introduction to college-level reading, writing, discussion and presentation. Relying upon significant works from our intellectual tradition as stimuli, students will increase their writing skills using a number of different genres and further develop oral communication skills commensurate with those required at the college level. Prerequisite: none
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    Written and Oral Communication Lab is designed to promote student success in college. By focusing on strategies and skills critical to academic progress and to personal adjustment, students become successful in college and throughout adult life. Six major topics such as research methods and are addressed within the Lab curriculum. Each topic is introduced within a large group session, then explored in depth within small group sessions. Students attend twelve sessions altogether, with the first session scheduled during Week 3 of the semester. At the conclusion of the labs students will demonstrate increased understanding of what academic success entails and be empowered to make appropriate choices for their own academic careers. Prerequisite: must be taken concurrently with WO1020 Written + Oral Communication
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    In this second and final course in freshman reading and writing, students explore major paradigms of aesthetic theory. Building upon the work of WO 1020, WO 1060 challenges students to greater complexity of thought and greater competency in verbal and written argumentation. Together, WO 1020 and WO 1060 provide the foundations for the rest of the Liberal Studies curriculum. Thus students will develop information literacy and research abilities, will critically examine the understanding of their own aesthetic, and will foster appropriate levels of communication necessary to proceed in their college careers. Prerequisite: WO 1020 Written + Oral Communication and WO1025 Written + Oral Communication Lab

Humanities + Contemporary Thought: 9 credits

Seminar 1, Seminar 2 and one other course.

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    This is the first of three courses in which students examine important intellectual and social currents of the past in order to develop a broad context and perspective from within which to evaluate their culture, their own work as artists, and their lives as human beings. Students read primary source materials from a wide range of disciplines, including philosophy, social and political history, drama, poetry, fiction, music, sciences and religion. The goal of this course is not to provide full historical “coverage,” but to give students a basic intellectual vocabulary with which to engage in honest self-examination and thoughtful, reflective discourse. Prerequisite: WO 1060 Philosophy of Art + Design
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    This is the second in a series of three courses in which students examine important intellectual and social currents of the past in order to develop a broad context and perspective from within which to evaluate their culture, their own work as artists, and their lives as human beings. Students read primary source materials from a wide range of disciplines, including philosophy, social and political history, drama, poetry, fiction, music, sciences and religion. The goal of this course is not to provide full historical “coverage,” but to help students develop increasingly sophisticated intellectual vocabulary with which to engage in honest self-examination and thoughtful, reflective discourse. Prerequisite: HU 2010 Humanities Seminar 1
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    Students examine important intellectual and social currents of the past in order to develop a broad context and perspective from within which to evaluate their culture, their own work as artists, and their lives as human beings. In this final course, students focus on contemporary intellectual debates within aesthetic and social theory. At the conclusion of the course students will have developed paradigms to understand the body from a variety of forms and across disciplinary and institutional contexts. Prerequisite: HU 2050 Humanities Seminar 2
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    Students examine important intellectual and social currents of the past in order to develop a broad context and perspectives from within which to evaluate their culture, their own work as artists, and their lives as human beings. In this final course, students focus on contemporary intellectual debates within aesthetic and social theory. At the conclusion of the course students will have developed a heightened awareness of theatre through a multi-disciplinary study, incorporating both theoretical perspectives and practical experiences. Prerequisite: HU 2050 Humanities Seminar 2
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    Students focus on contemporary intellectual debates within aesthetic and social theory. “Identity and Power” examines the role of society and culture in the construction of gender and ethnic differences in the American historical and contemporary contexts. As a result of work in this course, students will: know the history of the feminist movement and the civil rights movement in the United States from the 1800’s to the present; understand the impact of these movements on politics and self-identity; critically examine the role of society and culture in the construction of gender and ethnic differences; understand and use social theory to explore social inequalities. Prerequisite: HU 2050 Humanities Seminar 2
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    This is the third in the series of three courses in which students examine important intellectual and social currents of the past in order to develop a broad context and perspective from within which to evaluate their culture, their own work as artists, and their lives as human beings. This seminar focuses on the activity of consumption in a variety of forms, emphasizing the various relations of human beings to the goods they produce, desire, exchange, and use. In this final course of the Humanities series, students focus on contemporary intellectual debates within aesthetic and social theory. Thus students develop a broad familiarity with the nineteenth century rise and twentieth century development of economic trends and their impact on philosophical, historical and social relations. Further, students gain a greater awareness of the complexities of economic structures and systems that permeate every aspect of contemporary culture. Prerequisite: HU 2050 Humanities Seminar 2

Mathematics: 3 credits

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    For students who need a fresh start, this course will cover the basic mathematical concepts and skills that are relevant to anyone. This course starts with elementary mathematical operations, followed by the basic concepts of functional analysis, graphs, algebra, geometry, trigonometry, probability and statistics. Concepts will be introduced with examples that emphasize problem solving using visualization of the problem. Applications will address the many manifestations of mathematical laws in nature. Intended for those with little mathematical background. At the conclusion of the course, students will be able to solve simple mathematical equations, use and understand graphical methods, understand the mathematics of patterns found in nature and art, and appreciate the relevance of mathematics to everyday life: general scientific issues, polls, finance and business. Prerequisite: none
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    This course introduces students to aspects of mathematics that are particularly relevant to art and design. A basic knowledge of mathematics is required (first year of high school level). Topics include: numeric and geometric patterns in art and nature (Fibonacci series, tilling), symmetry, perspective, polyhedra, equations and graphs of trajectories, computer graphics, and fractals. At the conclusion of this course, students will be able to apply mathematical equations to solve problems related to the topics listed above. Prerequisite: none
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    Students are exposed to the principles and practices of financial management in the contemporary world. Topics include basic financial concepts and tools, business plans, financial statement analysis, and working capital management investment strategies. Students set an earning goal and design a business plan and investment strategy to reach that goal. Prerequisite: none

Physical + Natural Science: 3 credits

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    This course examines climate change from the perspective of several scientific disciplines. The class will introduce students to scientific thinking with concepts from plant ecology, glaciology, earth science and meteorology. Students will learn how scientists have begun to understand the earth as an integrated system. Special note will be taken of features in the intermountain West such as snowfields, glaciers, gas, oil and coal fields and emerging trends in energy use. At the conclusion of this course students will have the tools to critically evaluate climate issues using scientific principles to critique a rapidly evolving world of conscious consumerism and energy use. Prerequisite: WO 1060 Philosophy of Art + Design
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    This course introduces students to the major processes responsible for the physical appearance of our planet and for the changes in our environment. Through the study of minerals and rocks, and through field trips to explore the striking geology of Colorado, students study plate tectonics, volcanism, oceanography and ecological issues. Students explore the connections between art and design and earth science. Prerequisite: WO 1060 Philosophy of Art + Design
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    Students explore the basic aspects of life on Earth, including its requirements and patterns; its basic units; the organization of the living world; and the interdependence of living organisms. The concepts of flow of matter and energy; heredity and natural selection; population dynamics; and community interactions are also examined. Field trips and case studies are used to evaluate the living world. After completion of this course, students will be able to understand how biology explains the living world, and to address the questions of evolution and ethics that face the world today. Prerequisite: WO 1060 Philosophy of Art + Design
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    Human Ecology examines our relationship to the environment through an analysis of our historical and theoretical understanding of the relationship amongst the environment, our biology, and our cultures and through a review of ecological principles and terms. Topics will include, amongst others, disease, sustainability, famine, and pollution at the local and global levels. At the conclusion of the course, students will be able to knowledgeably discuss and write about the key theories in ecological anthropology, including the historical contexts in which they arose and environmental issues within the contexts of politics, economics, culture, and the environment. Prerequisite: WO 1060 Philosophy of Art + Design

Social + Behavioral Sciences: 6 credits

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    Anthropology is the study of human beings throughout time and across space. In this course, students explore human evolution, our place in the animal kingdom, our knowledge of others, and our knowledge of ourselves through a focus on specific peoples and cultures. Students also critically evaluate our perceived understanding of other cultures and the role of that understanding in our own culture. Outcomes: Students will learn about a variety of cultures; grasp and use the principles governing the discipline of anthropology, including its methods of research and writing. Prerequisite: WO 1060 Philosophy of Art + Design
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    Students investigate the multitude of environmental elements that contribute to the development of the personality or the “self.” Humans are born into a preexisting world of social demands and expectations, and so each person’s entry into and journey through that world shapes the personality in many ways; the individual journey takes place in the midst of social forces over which one has little or no control. This course provides an understanding of the balance between the internal workings of individuals and the external forces surrounding them. Prerequisite: WO 1060 Philosophy of Art + Design
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    Students explore the nature and function of belief structures or “world views.” The dynamic, living relationship between a religious organization or world view and its immediate cultural environment provides a “living laboratory” for the study of beliefs and believers. Students will gain initial exposure to Hinduism, Buddhism, Taoism, Confucianism, Judaism, Christianity, and Islam. The course focuses on the understanding of basic tenets of, as well as the similarities and differences between, belief systems and on developing tolerance for others’ views. Prerequisite: WO 1060 Philosophy of Art + Design
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    Biological Anthropology examines human biology and genetics within an evolutionary framework. Beginning with basic genetics, students explore how we are similar to other animals and how we are unique. From this foundation, the uses, ramifications, and ethics of our knowledge of our biology and genetics will be studied and discussed. At the end of the course students will be able to knowledgeably discuss and write about biological anthropology, genetics and related ethical implications; human evolution; and our biological and genetic adaptations to the environment. Prerequisite: WO 1060 Philosophy of Art + Design